Inktober 2017: day eight
Just waiting for my flight to Las Vegas. It’s way to early for sketching all that perspective!
I’ve also discovered inktober is a great way to avoid spending money at airports.
Just waiting for my flight to Las Vegas. It’s way to early for sketching all that perspective!
I’ve also discovered inktober is a great way to avoid spending money at airports.
I last visited Coire Gabhail (The Lost Valley) on a tranquil day in May 2006. Following directions my brother had scribbled on a scrap of paper, we arrived at a deserted car park as the mist silently lifted from the Glen.
Up to that point, drawing was just something I did to pass time when I visited my parents at Christmas. I had a small, slightly weird collection of pencil ‘still lives’ – odd shoes, misshapen candles, a Swedish Christmas gnome etc. Sometimes I’d bring a sketch pad and pencil on holiday, but it generally stayed unused in my bag. However, this time, it was so quiet that I plucked up courage, pulled out my pad and captured the view.
Eleven years later, I’ve overcome my shyness of sketching in public and discovered the joy of pen, watercolour and properly bound sketchbooks. So, armed with Google maps, I was desperate to recreate this special moment.
Sadly, the first attempt had to be aborted, as all the car parks were full of tour buses, tripods and people flying drones. The Lost Valley, it appeared, was no longer quite so lost. Not a wasted journey though, we parked further up the pass and walked the path to Buachaille Etive Beag. Time for a quick sketch looking towards A’Chailleach, shrouded in shadow, whilst we basked in the sunshine.
That evening, seduced by fish and chips in Oban, I persuaded my ever patient partner that it would be worth making a second attempt the next day. With an early start from Dollar, a belly full of coffee and gorgeous weather, the mission was accomplished before lunch, I even managed a bracing dip in the icy stream below the valley.
I found out later, that there is a grim irony in setting out from the shadows of Castle Campbell in Dollar to The Lost Valley. In February 1692, this idyllic place provided one of the escape routes for the MacDonald clan during the brutal massacre of Glencoe by the Campbell soldiers, under the orders of William of Orange.
Finally (and slightly inappropriately after that serious note) in a blatant attempt to get more hits on my blog, the evening ended at the Glennfinnan viaduct, made famous in the Harry Potter films and now featured on the Scottish £10 note.
To make up for that, I also sketched the Wallace monument.

Dunsapie Loch and Portobello. It may look peaceful, but Arthurs Seat behind me was so busy there was even a busker entertaining the crowds.
In Waterstones, I looked on with envy at the people languishing in the premium, bay window tables. Still, I did manage to wedge myself between a smaller window, the staircase and a discretely placed rodent trap to sketch the castle.
Great museum with loads to see, including the Millenium clock. When it strikes the hour, Bach blares through hidden speakers and this 20th Century dedication to human suffering becomes a strange technicolour, rotating beast.

The Millennium clock – when death started swinging gleefully on the pendulum, I just had to sketch it!

The Scottish National Gallery of Modern Art ‘2’, currently showing the ‘True to life’ exhibition. Well worth a visit.
All images © Claire Moore and cmoorelife, 2017
Washington services on the A1(M) is a bleak, lonely place. I made the six hour drive from Brighton to enjoy a junk food dinner and fulfill a personal dream of sketching the motorway from a creepy footbridge. Both lived up to expectations.
Coincidentally, just up the road is Antony Gormley’s Angel of the North. It may be of the most viewed pieces of art in the world, but on this sunny Sunday morning, there was just me, and a man releasing his pigeons for their first flight home.
My next stop was Lindisfarne Castle, but the satnav led me astray, so I overshot the view I was looking for, ending up on the causeway to Holy Island. Time for a sketch in the drizzle, with one eye nervously on the tide, listening to Sue Perkins on Desert Island Discs. I assume this is the hut you have to break into when the sea covers the road.
After all that lapping water, I needed a toilet stop, but the satnav struck again at the nearby Barn and Beal. “Slide right! Slide right!” She shouted from my pocket. One flush and several startled patrons later and I was on the road to Portobello, a lovely coastal suburb of Edinburgh.