Letter to the dump
Dear dump,
Why do you always temporarily close when I turn up?
Well I have the last laugh this time, because my sketchbook was in the passenger seat. Ha!
Recycle that in your pipe.
Lots of love
Me
Dear dump,
Why do you always temporarily close when I turn up?
Well I have the last laugh this time, because my sketchbook was in the passenger seat. Ha!
Recycle that in your pipe.
Lots of love
Me
Somewhere over the rainbow Brighton warms up for Pride 2018 this weekend.
At the bank…
at the Coffee Shop…
at the fancy new brasserie (smart casual only people)…
at the chartered accountants…
at the interior designers…
at the organic whole foods shop…
at the library…
That’s a whole weeks worth of gay propaganda in one day, which hopefully serves as atonement for missing the parade this year!
Life moves fast at Perch in Lancing.

The i360 has landed.
The Smoke House is being bombarded.
It must be Friday evening in Brighton and Hove.
The Chattri sits in an unlikely location on the rolling hills above Brighton and Hove.
It’s a peaceful spot to sketch, but I had to navigate several fields of frisky cows and bulls to get to it!

I took some time out from a very lazy stroll from Brighton to Lewes to sketch Ashcombe Mill, Kingston.
A finely dressed gentleman, out avoiding the royal wedding in his motor car, informed me that windmills with six sails are quite rare.



Where it all begins: Sussex House, home of Sussex Police where Detective Superintendent Roy Grace spends his time ‘briefing’, ‘eating’ and on occasion: both at the same time.
Local man Peter James set his ‘Roy Grace’ crime series in and around Brighton & Hove. This is particularly exciting for anyone who knows the area. When I read about exotic places like the ‘Van Allen building’ and ‘Hollingbury ASDA’, I point at my book, with wide eyes whilst my inner voice blurts “I’ve been there! I know where that is!”.
This is a celebration of those often overlooked places.

This is the famous ASDA that Roy Grace stares out at from his office in Sussex House. Note that Roy would be looking at the building’s backside, which is far less beautiful. This is the view he might see when he goes to get an All-Day Breakfast egg, bacon and sausage sandwich.

In “Deadman’s footsteps” Roy parks his Alfa Romeo in the Church street NCP pictured here. I managed to spill paint all over this when someone asked me for directions; I realised later that I’d accidentally sent him the wrong way, Karma.

After parking up at the NCP, Roy heads to Pelham Square on Trafalgar Street, where he bumps into Terry Biglow, the dodgy ‘under-belly-world-criminal’. When I painted this, there was just a lady quietly eating a smoked salmon sandwich, so capturing the sinister undertones was tricky.